Thank you for your choice. It is an honor for me. Now I will send the original files to the site admin. They will send them a few days.
Kind regards,
tomovart
We are completely satisfied with the “tomovart” #23 design. No additional changes need to be made to the “tomovart” #23 design. We select the “tomovart “ #23 design as the final design and our choice as the winner of the logo competition. How should we proceed to receive the finished “tomovart” #23 design files?
The word “ARCHIVES” should be not taller than one-sixth to one-fifth the height of the unified initials. Just as with the unified initials the letters of the word “ARCHIVES should be stretched vertically, proportionately, by no more than one-sixth to one -fifth taller than their normal height. The font used for the word “ARCHIVES” must be readable when the unified initials and the word “ARCHIVES” combination Logo are printed from 1.25 in to 1.65 in tall.
We are very impressed with the “tomovart” #23 design. Without changing the unified initials design in any way add the word ”ARCHIVES” all in Caps with an appropriate and complementary font below the existing unified initials. There should be a small space between the unified initials and the word “ARCHIVES” and the word “ARCHIVES” should be no longer than the width of the unified initials. Since there seems to be no way to graphically represent archives the word “ARCHIVES” must be added below the unified initials.
A note to designer “capcha”. Please review my comments below and my original project specifications. My project must have a vertical orientation and aspects ratio.
The #23 “tomovart” design is the best design yet in the “tomovart” series. In designs #20 and #21 the inner bold line was made continuous, in design #22 the “R” initial was completed and the inner bold line kept continuous but the “R” initial was changed from suggested as in designs #20 and #21 to fully formed in design #22. Whereas it is easier for the eye to discern the three overlain initials in design #22, the sophistication, the simplicity, the unique nature of the stylized representation of the three initials, especially the “R” initial as in designs #20 and #21 is lost. Design #23 is a welcome surprise variation. The addition of the suggested left side base leg of the “R” initial restores the stylized character to the design regardless of the inner bold line being broken. Even though we believe design #23 is the best yet please feel free to present any other variants.
I have looked at the “tomovart“ designs #21 and #22, both designs look identical. What am I missing? The breaks in the inner black line have been closed and the product looks good. Again, designs #21 and #22, what am I missing???
The #16, #17, #18 and #19 “tomovart” designs comply with the aspect ratio from my original specifications, have the “R”, “L” and “S” initials artistically simplified and are is a very eye-catching design overall. Setting aside the inclusion of a graphical representation of an archive, perhaps that was never possible anyway, and concentrating solely on the “R”, “L” and “S” initials the #19 design which uses only the “R”, “L” and “S” initials without the addition of extraneous graphic elements is close to the level of simplicity and unity I have been seeking. Please complete the inner black line at the bottom of the “R”, “L” and “S” initials where the bottom right slant leg of the “R” meets the left end of base of the “L” and where the right end of the base of the “L” meets bottom of the “S” initial. In other words complete the design by linking the inner heavy black lines between the initials at the bottom where the thick inner black line is as of now broken, open, in two places. This will create a unity, a connection, between the “R”, “L” and “S” initials melding them together into one assembly.
The #14 design is the best yet in the “finaldesign” series. I acknowledge that reversing the ampersand black for white with the background was not successful. Still, I am not happy with the design of the ampersand. I prefer the Arial ampersand “U+0026” because I believe the ampersand used in the #14 design will be confused for another font character. I like the thickened “R”, “L” and “S” initials. The graphic bars below the “R”, “L” and “S” initials are appealing, starting with a line under the initials and with each additional line thickened until the last line is a thick bar. Now perhaps those lines could be replaced by a graphic representation, a symbolic representation, a stylized representation of an archive. I would like to see it both ways. The #15 design by “tomovart” is appealing. I do like the stylized “R”, “L” and “S” initials. But this design too need to be vertically orientated. Please refer to my complete comments below including the original project specifications. The #15 design only needs to have a graphic representation of an archive below the initials to be complete and to have the correct aspect ratio.
The #11 design utilizes an inappropriate comic font not a sophisticated modern sans serif font and is crude in appearance. The #9 and #10 designs are encouraging. The #10 design has the “R”, “L” and “S” initials taller and narrower, a much better aspect ratio for the initials, and normally spaced which is both logical and correct. The problem is that the ampersand, although correctly sized at approximately one-third the height of the “R”, “L” and “S” initials, only covers the base of the “R” initial. The ampersand must be shifted to the right, without making any changes to the size, aspect ratio and spacing of the “R”, “L” or “S” initials, so that the ampersand is centered on the space between the “R” and “L” initials and partially covers both the “R” and “L” initials. I believe the best result can be obtained by making the ampersand black where the background is white and white where the background is black. Where any part of the ampersand is covering any part of a black initial that part of the ampersand should be white and where any part of the ampersand is covering the white background that part of the ampersand should be black.
The #7 design would be require a better printing process. The existing printing process could not print such fine detail. The #7 design would print as a solid dark gray rectangle. The #8 design once again has the "R" and "L" initial separated on two different levels, two different rows. Perhaps the ampersand could sit between the “R” and “L” initials linking the "R" and "L" initials by being black where the background is white and white where the background is black. Perhaps the "R" and "L" initials could be thinner and taller. Perhaps the “S” initial could be thinner and taller and with the “S” initial on the bottom left side for example a graphic on the bottom right side representing our archives, strong and secure. Perhaps the “R”, “L” and “S” initials could be carved in stone or some similar motif indicating modern times via a modern typeface, separate stones fit together like a wall representing the structure of our archives and the stone the initials are carved into representing strength and security. The typeface should be sans-serif, no serif.
The background graphic should indicate the safe and secure nature of our archives, the modern nature of our archives and the varied nature of our archives, safe and secure, modern and varied archives.
The last two designs have the correct vertical aspect ratio and the last Niklasiliffedesign design shows the correct relationship, the co-equal relationship of the "R" and "L" initials. The "S" initial however should be co-equally linked to both the "R" and "L" initials. Ultimately a background graphic that all three initials rest upon, or are encompassed by, should indicate that all three initials are related to our archives. There needs to be a generic background graphical reference to our archives. A background graphic signifying, indicating a general reference to, our archive but independent of any of the specific forms of archives (audio, video, still photography and documents etc.) we are creating on optical media.
placing the "R","L","S" initials in a frame with square or rounded corners to keep the initials together, confined, is acceptable. A graphic suggesting an archive would be much better.
The dimensions noted in our specifications for a Logo, to be printed onto optical media, CD’s or DVD’s, are .75 in wide by 1.25 in high so the best Logo design would be vertically orientated with an aspect ratio of approximating 1 wide by 1.67 high.
MycroBurst permits you to submit unlimited designs with unlimited variations. However, if you are providing 2 or 3 different color versions of the same logo in one draft, please make sure that if the particular draft gets finalized, each color version should be separated before you will send the final files.
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Kind regards,
tomovart
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MycroBurst permits you to submit unlimited designs with unlimited variations. However, if you are providing 2 or 3 different color versions of the same logo in one draft, please make sure that if the particular draft gets finalized, each color version should be separated before you will send the final files.
Thanks,
MB/LDG Team